{"id":26177,"date":"2025-04-19T16:00:00","date_gmt":"2025-04-19T15:00:00","guid":{"rendered":"https:\/\/www.gnews.cz\/?p=26177"},"modified":"2025-04-19T11:51:04","modified_gmt":"2025-04-19T10:51:04","slug":"narodni-galerie-praha-usporadala-unikatni-vystavu-mlcici-jaro-umeni-a-priroda-1930-1970","status":"publish","type":"post","link":"https:\/\/gnews.cz\/cs_cz\/kultura\/narodni-galerie-praha-usporadala-unikatni-vystavu-mlcici-jaro-umeni-a-priroda-1930-1970\/","title":{"rendered":"N\u00e1rodn\u00ed galerie Praha uspo\u0159\u00e1dala unik\u00e1tn\u00ed v\u00fdstavu \u201eMl\u010d\u00edc\u00ed jaro: um\u011bn\u00ed a p\u0159\u00edroda 1930\u20131970\u201c"},"content":{"rendered":"\n

PRAHA – V\u00fdstava NGP ve Veletr\u017en\u00edm pal\u00e1ci mapuje prom\u011bny vztahu \u010dlov\u011bka k p\u0159\u00edrod\u011b \u2013 nejen k fl\u00f3\u0159e a faun\u011b, ale i krajin\u011b jako celku \u2013 v um\u011bn\u00ed od 30. let 20. stolet\u00ed a\u017e do po\u010d\u00e1tku tzv. normalizace. Ukazuje, \u017ee p\u0159\u00edroda nen\u00ed pouhou kulisou lidsk\u00e9 existence, a nelze ji tedy donekone\u010dna vy\u010derp\u00e1vat.<\/strong><\/p>\n\n\n\n

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\u201eTato v\u00fdstava vlastn\u011b nastoluje z\u00e1sadn\u00ed ot\u00e1zku, zda \u010dlov\u011bk a kultura jsou nebo nejsou v rozporu s existenc\u00ed p\u0159\u00edrody,\u201c <\/em>uvedla kur\u00e1torka v\u00fdstavy Eva Skopalov\u00e1.<\/em><\/strong><\/p>\n<\/blockquote>\n\n\n\n

N\u00e1v\u0161t\u011bvn\u00edci se mohou t\u011b\u0161it na v\u00edce ne\u017e stovku d\u011bl poch\u00e1zej\u00edc\u00edch z bohat\u00fdch sb\u00edrek N\u00e1rodn\u00ed galerie a zahrani\u010dn\u00edch instituc\u00ed. Mezi expon\u00e1ty najdeme pr\u00e1ce ikonick\u00fdch um\u011blc\u016f jako Franti\u0161ek Kupka, Josef \u0160\u00edma, Toyen, Jind\u0159ich \u0160tyrsk\u00fd, Franti\u0161ek Muzika, Eva Kmentov\u00e1 a Hana Wichterlov\u00e1. K vid\u011bn\u00ed je rovn\u011b\u017e tvorba zahrani\u010dn\u00edch um\u011blc\u016f z Polska a Slovenska, nap\u0159\u00edklad Karola Hillera, Adama Prock\u00e9ho nebo M\u00e1rie Bartuszov\u00e9. Kur\u00e1torka doplnila tento v\u00fdb\u011br i o d\u00edla sou\u010dasn\u00fdch autorek \u2013 Anny Hula\u010dov\u00e9, Eli\u0161ky Kone\u010dn\u00e9, Jimeny Mendozy, Marie Tu\u010dkov\u00e9 a Krist\u00edny Bukov\u010d\u00e1kov\u00e9, kter\u00e1 lze ch\u00e1pat jako vyj\u00e1d\u0159en\u00ed soun\u00e1le\u017eitosti s minulost\u00ed.<\/p>\n\n\n\n

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\u201eS t\u00edm, co nach\u00e1zeli um\u011blci p\u0159ed \u0161edes\u00e1ti \u010di osmdes\u00e1ti, devades\u00e1ti lety se m\u016f\u017eeme dob\u0159e ztoto\u017enit i dnes, mimo jin\u00e9 skrze sou\u010dasnou tvorbu um\u011blky\u0148. My\u0161lenky lid\u00ed, kte\u0159\u00ed u\u017e ne\u017eij\u00ed, pro n\u00e1s nejsou mrtv\u00e9, participuj\u00ed na sou\u010dasnosti,\u201c <\/em>\u0159ekla kur\u00e1torka.<\/strong><\/p>\n<\/blockquote>\n\n\n\n

Projekt se v\u011bnuje emocion\u00e1ln\u00edmu poutu \u010dlov\u011bka k p\u0159\u00edrod\u011b a zkoum\u00e1, jak historick\u00e9 ud\u00e1losti jako v\u00e1lka a totalitn\u00ed re\u017eimy ovlivnily na\u0161e vn\u00edm\u00e1n\u00ed krajiny, p\u0159\u00edpadn\u011b jak se zp\u0159etrhaly na\u0161e vazby ke krajin\u011b. Um\u011bleck\u00e1 d\u00edla se st\u00e1vaj\u00ed prost\u0159edkem k obnov\u011b citliv\u00e9ho vztahu ke v\u0161emu \u017eiv\u00e9mu. Slou\u017e\u00ed jako prost\u0159edek, kter\u00fd n\u00e1v\u0161t\u011bvn\u00edky vyz\u00fdv\u00e1 k vlastn\u00ed reflexi a pro\u017eitku. \u201eCitov\u00e9, emotivn\u00ed pouto s p\u0159\u00edrodou je snad intuitivn\u00edm principem na\u0161\u00ed vlastn\u00ed z\u00e1chrany. Pokud m\u00e1me k n\u011b\u010demu vztah, chr\u00e1n\u00edme to,\u201c<\/em> vysv\u011btluje kur\u00e1torka.<\/p>\n\n\n\n

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Gener\u00e1ln\u00ed \u0159editelka N\u00e1rodn\u00ed galerie Praha, Alicja Knast, dod\u00e1v\u00e1: \u201eTato v\u00fdstava, p\u0159ipraven\u00e1 kur\u00e1torkou Evou Skopalovou s nasazen\u00edm cel\u00e9ho t\u00fdmu NGP, shroma\u017e\u010fuje hlasy um\u011blc\u016f, myslitel\u016f a vizion\u00e1\u0159\u016f, kte\u0159\u00ed stejn\u011b jako spisovatelka Rachel Carson zpochyb\u0148uj\u00ed lhostejnost a nut\u00ed n\u00e1s p\u0159ehodnotit n\u00e1\u0161 vztah ke sv\u011btu kolem n\u00e1s. Um\u011blci na v\u00fdstav\u011b n\u00e1m sv\u00fdmi d\u00edly p\u0159ipom\u00ednaj\u00ed, \u017ee p\u0159\u00edroda nen\u00ed pozad\u00edm na\u0161\u00ed existence, ale jej\u00edm z\u00e1kladem. P\u0159ipom\u00ednaj\u00ed n\u00e1m, \u017ee na\u0161e dne\u0161n\u00ed rozhodnut\u00ed budou utv\u00e1\u0159et krajinu z\u00edt\u0159ka.\u201c<\/em><\/strong><\/p>\n<\/blockquote>\n\n\n\n

Z\u00e1v\u011bre\u010dn\u00e1 \u010d\u00e1st expozice se zam\u011b\u0159uje na t\u00e9ma vyko\u0159is\u0165ov\u00e1n\u00ed p\u0159\u00edrody b\u011bhem tzv. normalizace, kdy byla krajina vn\u00edm\u00e1na prim\u00e1rn\u011b jako zdroj. V\u00fdstava odkazuje i na v\u00fdznamn\u00e9 dobov\u00e9 ud\u00e1losti, v\u010detn\u011b diskuse o pesticidech po vyd\u00e1n\u00ed knihy Rachel Carson Ml\u010d\u00edc\u00ed jaro<\/em> (pozd\u011bji p\u0159elo\u017een\u00e9 jako Tich\u00e9 jaro<\/em>) v roce 1962, kter\u00e1 vy\u0161la v \u010ceskoslovensku o \u010dty\u0159i roky pozd\u011bji a vedla v USA ke zm\u011bn\u011b z\u00e1kon\u016f.<\/p>\n\n\n\n

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Alicja Knast shrnuje: \u201eHistorie dok\u00e1zala, \u017ee jeden hlas m\u016f\u017ee probudit generaci. Ml\u010d\u00edc\u00ed jaro je pozv\u00e1nkou k naslouch\u00e1n\u00ed \u2013 um\u011bn\u00ed, p\u0159\u00edrod\u011b a nal\u00e9havosti na\u0161\u00ed doby.\u201c<\/em><\/strong><\/p>\n<\/blockquote>\n\n\n\n

Expozici si z\u00e1jemci m\u016f\u017eou prohl\u00e9dnout do 31. srpna 2025 v 1. pat\u0159e v\u00fdchodn\u00edho k\u0159\u00eddla Veletr\u017en\u00edho pal\u00e1ce NGP v Praze 7, Dukelsk\u00fdch hrdin\u016f 47.<\/p>\n\n\n\n

NGP\/<\/a>gnews.cz – HeK<\/strong><\/p>\n\n\n\n

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PRAHA – V\u00fdstava NGP ve Veletr\u017en\u00edm pal\u00e1ci mapuje prom\u011bny vztahu \u010dlov\u011bka k p\u0159\u00edrod\u011b \u2013 nejen k fl\u00f3\u0159e a faun\u011b, ale i krajin\u011b…<\/p>\n","protected":false},"author":4,"featured_media":26180,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[6,580],"tags":[45,3239,3243,3242,3241,1403,268,83,17,3240],"class_list":["post-26177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura","category-vyber-sefredaktora","tag-cr","tag-kupka","tag-muzika","tag-styrsky","tag-sima","tag-malirstvi","tag-narodni-galerie-praha","tag-priroda","tag-top","tag-toyen"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/posts\/26177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/comments?post=26177"}],"version-history":[{"count":0,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/posts\/26177\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/media\/26180"}],"wp:attachment":[{"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/media?parent=26177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/categories?post=26177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/tags?post=26177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}