{"id":42942,"date":"2026-03-28T15:30:00","date_gmt":"2026-03-28T14:30:00","guid":{"rendered":"https:\/\/gnews.cz\/?p=42942"},"modified":"2026-04-28T21:11:49","modified_gmt":"2026-04-28T19:11:49","slug":"slovanska-epopej-alfonse-muchy-obraz-dvacaty-apotheosa-z-dejin-slovanstva-ctyri-obdobi-slovanstva-ve-ctyrech-barvach","status":"publish","type":"post","link":"https:\/\/gnews.cz\/cs_cz\/tema\/slovanska-epopej-alfonse-muchy-obraz-dvacaty-apotheosa-z-dejin-slovanstva-ctyri-obdobi-slovanstva-ve-ctyrech-barvach\/","title":{"rendered":"Slovansk\u00e1 epopej Alfonse Muchy \u2013 obraz dvac\u00e1t\u00fd: Apote\u00f3za z d\u011bjin Slovanstva. \u010cty\u0159i obdob\u00ed Slovanstva ve \u010dty\u0159ech barv\u00e1ch"},"content":{"rendered":"\n<p><strong>Obraz dvac\u00e1t\u00fd. Vzn\u00e1\u0161\u00edte se v prostoru, kde \u010das nen\u00ed \u017e\u00e1dnou lini\u00ed, ale pevn\u00fdm, siln\u00fdm kruhem \u2013 a v jeho st\u0159edu dominantn\u011b pulzuje obraz Slovansk\u00e1 epopej, Apote\u00f3za Slovanstva od Alfonse Muchy. Vyvrcholen\u00ed tohoto geni\u00e1ln\u00edho cyklu je mimo jin\u00e9 o kosmologii doslova vt\u011blen\u00e9 do barev, postav a symbol\u016f, jde o mystickou mapu kolektivn\u00ed pam\u011bti vych\u00e1zej\u00edc\u00ed z reality a historick\u00e9ho d\u011bdictv\u00ed, kter\u00e1 se rozl\u00e9v\u00e1 nap\u0159\u00ed\u010d stalet\u00edmi jako nekone\u010dn\u00e1 a sladk\u00e1 \u0159eka. Kompozice se rozv\u00edj\u00ed jako duchovn\u00ed mandala. \u010cty\u0159i barevn\u00e9 proudy zde nejsou jen estetick\u00fdm v\u00fdjevem, ale ontologick\u00fdm vyj\u00e1d\u0159en\u00edm proudu d\u011bjin. V prav\u00e9m doln\u00edm rohu se rozprost\u00edr\u00e1 modr\u00e1 barva, ta je doslova hlubok\u00e1, t\u00e9m\u011b\u0159 tekut\u00e1, jako pramen nev\u011bdom\u00ed. Je to prad\u00e1vno, mytick\u00fd po\u010d\u00e1tek, kde se Slovan\u00e9 rod\u00ed z mlhy lesa, vody a t\u0159eskut\u00fdch \u010das\u016f. Modr\u00e1 zde nen\u00ed chladn\u00e1, ale mate\u0159sk\u00fd laskav\u00e1, nese v sob\u011b ticho p\u0159ed slovem, d\u011bjinn\u00fd potenci\u00e1l p\u0159ed \u010dinem.<\/strong><\/p>\n\n\n\n<p>Protilehl\u00fd p\u00f3l, \u010derven\u00e1 vlevo naho\u0159e, plane jako krvav\u00e1 jizva a z\u00e1rove\u0148 jako prapor. V t\u00e9to barv\u011b se koncentruje ohe\u0148 husitsk\u00fdch v\u00e1lek \u2013 krev i v\u00edra, destrukce, znovuzrozen\u00ed a nepora\u017eenost. \u010cerven\u00e1 zde nen\u00ed pouze konfronta\u010dn\u00edm prvkem, ale je doslova eruptivn\u00ed energi\u00ed odporu, momentem, kdy se d\u011bjiny l\u00e1mou a \u010dlov\u011bk se stav\u00ed proti osudu. Mezi t\u011bmito p\u00f3ly se sv\u00edj\u00ed temn\u00e1 hmota, na prvn\u00ed pohled jak\u00e9si postavy v \u010derni, kter\u00e9 zosob\u0148uj\u00ed \u00fatlak. Nejsou individualizovan\u00e9, sp\u00ed\u0161e st\u00ednov\u00e9, jako by \u0161lo o archetypy samotn\u00e9ho nep\u0159\u00edtele. V jejich p\u0159\u00edtomnosti rezonuj\u00ed n\u00e1jezdy Frank\u016f, Avar\u016f i pozd\u011bj\u0161\u00ed nadvl\u00e1dy. \u010cern\u00e1 zde pohlcuje sv\u011btlo, je t\u00edhou ve\u0161ker\u00fdch d\u011bjin, ale z\u00e1rove\u0148 vytv\u00e1\u0159\u00ed kontrast, bez n\u011bho\u017e by v\u016fbec nebylo mo\u017en\u00e9 rozpoznat sv\u011btlo nad\u011bje.<\/p>\n\n\n\n<p>Nad\u011bje op\u011bt, stejn\u011b jako v p\u0159ede\u0161l\u00fdch pl\u00e1tnech, p\u0159ich\u00e1z\u00ed v podob\u011b \u017elut\u00e9 \u2013 barvy, kter\u00e1 neosl\u0148uje, ale proza\u0159uje. Postavy v n\u00ed zalit\u00e9 nep\u016fsob\u00ed triumf\u00e1ln\u011b v agresivn\u00edm smyslu, ale sp\u00ed\u0161e nesou klidn\u00e9 v\u011bdom\u00ed napln\u011bn\u00ed. Je to sv\u011btlo sm\u00ed\u0159en\u00ed, svobody a jednoty, jak\u00fdsi eschatologick\u00fd horizont, kde se d\u011bjiny uzav\u00edraj\u00ed do harmonie. St\u0159ed obrazu je obsazen siln\u00fdm mlad\u00fdm mu\u017eem s rozev\u0159enou n\u00e1ru\u010d\u00ed \u2013 figurou, kter\u00e1 nen\u00ed konkr\u00e9tn\u00ed osobou, ale zt\u011blesn\u011bn\u00edm kolektivn\u00edho utrpen\u00ed i nad\u011bje. V jeho siln\u00e9m patetick\u00e9m gestu se zrcadl\u00ed motiv Krista jako ob\u011bti i vykoupen\u00ed. Nen\u00ed to v\u0161ak \u017e\u00e1dn\u00e1 kopie, ale transpozice, kde slovansk\u00fd \u010dlov\u011bk je nositelem vlastn\u00edho p\u0159\u00edb\u011bhu sp\u00e1sy.<\/p>\n\n\n\n<p>Kolem n\u011bj se rozv\u00edjej\u00ed kruhy v\u011bnc\u016f, jejich\u017e cyklick\u00e1 forma evokuje jednotu a v\u011b\u010dnost. Mlad\u00ed lid\u00e9 s lipov\u00fdmi ratolestmi jsou symbolem slovansk\u00e9 identity, v\u011brohodn\u011b skl\u00e1daj\u00ed hold minulosti, ale z\u00e1rove\u0148 tuto minulost transformuj\u00ed. Mezi nimi lze rozpoznat dokonce i odkaz na \u010ceskoslovensk\u00e9 legie, jejich\u017e p\u0159\u00edtomnost propojuje m\u00fdtus s modern\u00ed histori\u00ed. Nad t\u00edm v\u0161\u00edm se klenou dal\u0161\u00ed v\u00e1\u017en\u00e9 znaky, holubice jako tich\u00fd dech m\u00edru, a duha jako jak\u00fdsi most mezi v\u0161emi existuj\u00edc\u00edmi sv\u011bty. Tyto symboly nejsou dekorac\u00ed, ale jsou jazykem, kter\u00fdm obraz hovo\u0159\u00ed o p\u0159ekon\u00e1n\u00ed dualit, jako jsou v\u00e1lky a m\u00edr, utrpen\u00ed a radost, minulost a budoucnost.<\/p>\n\n\n\n<p>Celek p\u016fsob\u00ed jako duchovn\u00ed krajina, kde \u010das nen\u00ed line\u00e1rn\u00ed, a dovol\u00edm si pou\u017e\u00edt sv\u00e9 obl\u00edben\u00e9 slovo, vrstevnat\u00fd. Minulost se zde nevzdaluje, ale p\u0159etrv\u00e1v\u00e1 jako energie, kter\u00e1 formuje p\u0159\u00edtomnost i budoucnost. Mucha tak nevytv\u00e1\u0159\u00ed pouze historick\u00fd obraz, ale ohromnou metafyzickou vizi, je\u017e je v\u00fdzvou k pochopen\u00ed d\u011bjin jako procesu, kter\u00fd mus\u00ed sm\u011b\u0159ovat k jednot\u011b, jinak Slovan\u00e9 p\u0159estanou existovat. V t\u00e9to apote\u00f3ze nen\u00ed triumf k\u0159ikem v\u00edt\u011bz\u016f, ale tich\u00fdm blahod\u00e1rn\u00fdm sv\u011btlem pozn\u00e1n\u00ed.<\/p>\n\n\n\n<p><strong>P\u0159e\u010dt\u011bte si tak\u00e9:<\/strong> <a href=\"https:\/\/gnews.cz\/cs_cz\/tema\/slovanska-epopej-alfonse-muchy-obraz-sesnacty-jan-amos-komensky-ucitel-narodu-plaminek-nadeje\/\" title=\"\"><strong>Slovansk\u00e1 epopej Alfonse Muchy \u2013 obraz <a href=\"https:\/\/gnews.cz\/wp-admin\/post.php?post=42322&amp;action=edit\">devaten\u00e1ct\u00fd: Zru\u0161en\u00ed nevolnictv\u00ed na Rusi. Svobodn\u00e1 pr\u00e1ce \u2013 osnova n\u00e1rod\u016f<\/a><\/strong><\/a><\/p>\n\n\n\n<p><strong>Jan Vojt\u011bch, \u0161\u00e9fredaktor General News<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Obraz dvac\u00e1t\u00fd. Vzn\u00e1\u0161\u00edte se v prostoru, kde \u010das nen\u00ed \u017e\u00e1dnou lini\u00ed, ale pevn\u00fdm, siln\u00fdm kruhem \u2013 a v jeho st\u0159edu dominantn\u011b pulzuje&hellip;<\/p>\n","protected":false},"author":10,"featured_media":42945,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[2968,6,3,1,3104,580,8,5],"tags":[411,11875,11883,11873,11874,11882,45,11884,11872,11880,7668,10948,11881,9713,7051,8601,755,11878,11877,10712,10,410,9509,11871,17,8547,5689,11885,11879,41,11876],"class_list":["post-42942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-domaci","category-kultura","category-neprehlednete","category-tema","category-veda","category-vyber-sefredaktora","category-zabava","category-zdravy-styl","tag-alfons-mucha","tag-apoteoza-slovanstva","tag-avari","tag-barevna-symbolika","tag-cerna-barva","tag-cervena-barva","tag-cr","tag-ceskoslovenske-legie","tag-duchovni-rozmer","tag-duha","tag-frankove","tag-historicka-pamet","tag-holubice","tag-husitske-valky","tag-jednota","tag-kristus","tag-mir","tag-modra-barva","tag-mytologie","tag-narodni-identita","tag-news","tag-slovanska-epopej","tag-slovanska-historie","tag-symbolismus","tag-top","tag-top-2","tag-top2","tag-umelecka-analyza","tag-utlak-slovanu","tag-world","tag-zluta-barva"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/posts\/42942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/comments?post=42942"}],"version-history":[{"count":4,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/posts\/42942\/revisions"}],"predecessor-version":[{"id":44877,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/posts\/42942\/revisions\/44877"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/media\/42945"}],"wp:attachment":[{"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/media?parent=42942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/categories?post=42942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gnews.cz\/cs_cz\/wp-json\/wp\/v2\/tags?post=42942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}