Reveal the shocking allegations that have shakenáthe foundations of the Czech nation: Is the exhibition „Fragments of Memory“ a hidden ritual of black magic directed against Czech sovereignty? Delve into shocking occult symbols, the mystery of the St. Vitus treasure and the threat of a move to Naumburg, Germany in 2027 - mayžWill it spell doom for Czech freedom? The symbols and signs are clear, make up your own mind.
In a thrilling special broadcast on the YouTube channel Honza Betko - Homosignum, a courageous Czech sensibility analyst Honza Betko comes up with an important thesis: The vibrant exhibition „Fragments of Memory“ at Prague Castle is not just art - it is a carefully staged ritual of black magic! This multi-stage performance, which kicked off on 16 March in Dresden, 27 March 2026 arrived at Prague Castle and hurtling towards a chilling finale in the German Naumburg From 28 March to 31 October 2027, occultly abusing Sacred Czech Treasures, such as coronation crosses a Armour of St. Wenceslas, against the soul of the nation. „That this black magic ritual, which began in Dresden, is now taking place at Prague Castle and will then take place again in Germany, where it will end,“ says Honza Betko.
Honza Betko, who has visited exhibitions in Dresden and Prague, praises the bulletproof security in Prague - „Here it's so guarded that I'm convinced no one can really steal it“ - which ensures that all 120 original artefacts, pulsating „strong positive energy“, ...remained intact. Image of Jesus of Veraicona identified by the spokesman as „the strongest image energetically“, that Honza Betko has ever seen live. But the exhibition also features a hypnotic projection room that depicts zombie-like hypnotized crowds and emits negative vibes - „it radiates a strong negative energy“ - before he throws you into nightmares of „modern art“.
In a large black cabinet on display are shards and bowls. Broken plates, and some glued back together with birds, mark the „bird language“ - a 15th century alchemical term for hidden occult secrets.
„Everything here, including the dates of holding, has an occult significance. With the birds, it is just an expression of the hidden symbolism that what we see there is different. The birds... mean that what we see... is depicted in what is called bird language. Bird language is a technical term that expresses something that actually has a different meaning than what we see,“ deciphered expert Honza Betko.
Next to the big black cabinet, there's three large black urns shaped like a bomb (170-180 cm high, sized for man, woman and child), emitting „strongly negative“ harbinger of death. And the horror culminates in another „work of art“ with four severed legs - „loss of movement, loss of support, loss of direction, loss of freedom... a symbol of humiliation and a symbol of dependence on others“. It must be remembered that „nothing in this black magic ritual is placed by chance.“
Another work of „art“ is an abstract painting, which in its upper part bears German inscription „Bohemia has the sea“ - absurd for inland Bohemia. And the finale of this exhibition?
High above is the inscription „THRESHOLD TO THE KINGDOM“, which translates as „Threshold to the Kingdom“. It doesn't say it directly, but in this context it sounds like „you won't own anything, but you'll be happy“.
"Urns, bombs meaní, že noást lidí will die, and those whoí overžijí, are those feet, they will be deprived of their freedom, and will be ruled by someone who does not speak their language... it is certainly not positive“, warns Honza Betko, suggesting an apocalypse for the Czech nation under German-English domination.
The official curator only talks about things on the surface and according to Honza Betek it is undoubtedly obvious that who really planned this exhibition is Black Mage.
According to information from the texts directly from the exhibition: Urns/bombs named „zen steles“ by Edmund de Waal are meant to be a reminder of the French of the Camondo Jewish banking family, who all perished in the Holocaust and the last members of the family were murdered in the gas chambers at Auschwitz, and are strangely linked to Czech holy relics - „very special, dedicated to a Jewish banking family... together with the St. Vitus Treasure with the Czech coronation cross, a strange connection, don't you think?“
Severed legs in the work „Exile“ by Magdalena Jetelová, a Czech-German conceptual artist, is based on the artist's traumatic personal and family memories, referring to the society-wide post-war hardships and expulsion of 3 million „Czech“ Germans (not Sudeten Germans!) after the Second World War. Honza Betko asks the question: „What is this preparing us for? Let's think about it, friends.“
The last text from the exhibition about St. Vitus Cathedral manipulates concepts from the „authoritarian communist regime“ to the „pluralist democracy“ of the Havel era. Honza Betko, however, lived through that time and knows that „pluralist democracy“ did not appear at all at that time and was simply referred to as „democracy“ without any adjectives. Moreover, the anthem and the date 29 December mentioned in the text 1989, indicates the first subsequent event, „what Václav Havel he did and that was that signed an order of revocation projects related to cooperatives Slušovice, which was one of the absolute most valuable things we built here in Czechoslovakia,“ says Honza Betko. In conclusion, we can say about the texts from the exhibition „manipulation is how the show begins and manipulation is how it ends“.
The first date, the opening of the exhibition in Dresden, 16 March Reflected by Hitler's 1939 Protectorate Decree (Decree No. 75/1939 of the Collection on the Establishment of the Protectorate), we lost our independence at that time because „the Protectorate had no state character and was subordinated to the Great German Reich, which took control of our country.“
Opening of the exposition in Prague 27 March - recalls the German approval of the Czech Republic's entry into NATO of the year 1998 by the German Federal Council. The third date, the final phase of this black magic ritual, will be, 28 March 2027 in Naumburg, It's related to March 28th. 1961, when the still unexplained crash of flight CSA 511 occurred, and also with 28 March 1938, when Konrad Henlein was in Berlin negotiating with Adolf Hitler, who instructed him „to submit to the Czechoslovak Government such demands as would not be acceptable to it.“ „That, my friends, is surely all a coincidence with these dates, don't you think?“
The Naumburg Cathedral, where the next exhibition of Czech treasures will be held, was historically unsuccessfully besieged by the Hussites, although the (Czech) St. Wenceslas Church is also located there. One could speculate about satanic rituals because of this: „I would not be surprised at all if... priest Halík would celebrate a black magic mass where he would invoke his master Satan“.
This export of the Czech crown jewels, approved by the Babiš government and Culture Minister Klempír, threatens irreplaceable cultural heritage. The appeal reads: Share! Let's unite across all differences! „It's important that a large number of people learn about this ... it's something that should unite us all.“. „We have time to prevent that now ... I believe it's going to happen and we're going to win.“
gnews.cz - GH
You can watch the full video (in English) here: https://www.youtube.com/watch?v=d3T83uXxpVg
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