Uncover shocking claims that challenge the very foundations of the Czech nation: Is the "Fragments of Memory" exhibition a hidden ritual of black magic aimed at undermining Czech sovereignty? Delve into shocking occult symbols, the mysteries of the St. Vitus treasures, and the looming relocation to Naumburg, Germany, in 2027 – could this spell disaster for Czech freedom? The symbols and signs are clear; form your own opinion.

In a gripping special broadcast on the YouTube channel Honza Betko – Homosignum, the courageous and insightful Czech analyst Honza Betko presents a crucial thesis: the dazzling "Fragments of Memory" exhibition at Prague Castle is not just art – it's a carefully orchestrated ritual of black magic! This multi-stage event, which began on March 16th in Dresden, arrived at Prague Castle on March 27th, 2026, and is heading towards a chilling finale in German Naumburg from March 28th to October 31, 2027, occultly exploiting sacred Czech treasures, such as the coronation cross and St. Wenceslas' armor, to the detriment of the nation's soul. "The black magic ritual that began in Dresden is now taking place at Prague Castle and will subsequently continue in Germany, where it will be concluded," states Honza Betko.

Honza Betko, who visited the exhibitions in both Dresden and Prague, praises the impeccable security at Prague Castle – "It's guarded so well that I'm convinced that no one can actually steal anything" – which ensures that all 120 original artifacts, pulsating with “strong positive energy”, remain intact. The Image of Jesus from Veraicona, described by the spokesperson as the “most energetically powerful image” Honza Betko has ever seen in person. However, the exhibition also features a hypnotic projection room that depicts zombie-like, hypnotized crowds and emits negative vibrations – “it radiates a very negative energy” – before plunging you into a nightmare of "modern art.".

In a large black cabinet at the exhibition, there are shards and bowls. Broken plates and some glued back together with birds, represent “bird language” – an alchemical term from the 15th century for hidden occult secrets.

“Everything, including the dates of the event, has its occult significance here. In the case of the birds, it's an expression of hidden symbolism, meaning that what we see there is something else. Those birds... mean that what we see... is depicted in what is called 'bird language.' Bird language is a technical term that expresses something that has a different meaning than what we see," explained expert Honza Betko.

Next to a large black cabinet stand three large black urns shaped like bombs (170–180 cm tall, sized for a man, a woman, and a child), exuding a “strongly negative” omen of death. And the horror culminates in another "artistic" piece: four severed legs – "loss of movement, loss of support, loss of direction, loss of freedom... a symbol of humiliation and a symbol of dependence on others." It is necessary to remember that "nothing in this black magic ritual is placed randomly."

Another piece of "art" is an abstract painting that in its upper part bears a German inscription: "Bohemia has seas" – absurd for landlocked Bohemia. And the finale of this exhibition?

High above, there is an inscription that reads "THRESHOLD TO THE KINGDOM," which, in translation, is “The Threshold to the Kingdom”. It is not explicitly written, but in this context, it sounds like “you will own nothing, and you will be happy”.

“The urns, the bombs mean that part of the population will die, and those who survive will be those feet, they will be deprived of freedom, and someone who doesn't speak their language will rule them… it is definitely not positive,” warns Honza Betko, suggesting an apocalypse for the Czech nation under German-English domination.

The official curator only talks about things on the surface, and according to Honza Betko, it is undoubtedly clear that whoever truly planned this exhibition is a black magician.

According to information from texts directly from the exhibition: The "Zen stelae" urns/bombs by Edmund de Waal are meant to be a reminder of the French Jewish banking family Camondo, who all perished in the Holocaust, and the last members of the family were murdered in gas chambers in Auschwitz, and they are strangely linked to Czech saints' relics – “very strange, dedicated to a Jewish banking family... together with the St. Vitus treasure with the Czech coronation cross, a strange connection, don't you think?”

The severed legs in the work "Expulsion" by Magdalena Jetelová, a Czech-German conceptual artist, are based on the artist's traumatic personal and family memories, and refer to the collective post-war suffering and the expulsion of 3 million "Czech" Germans (not Sudeten Germans!) after World War II. Honza Betko asks: "What are we being prepared for? Let's think about it, friends."

The final text in the exhibition about St. Vitus Cathedral plays with terminology, moving from "the authoritative communist regime" to "the pluralistic democracy" of the Havel era. However, Honza Betko experienced that period and knows that the term "pluralistic democracy" was not used at the time; people simply spoke of "democracy" without any qualifiers. Furthermore, the hymn and the date of December 29, 1989, mentioned in the text, refer to the first subsequent event: " took action by signing an order to abolish projects related to the which was one of the most valuable things we built in Czechoslovakia," according to Honza Betko. In conclusion, one can say about the texts in the exhibition that "it starts with manipulation and ends with manipulation."

The first date, the opening of the exhibition in on reflects (law number 75/1939 collection regarding the establishment of the Protectorate), when we lost our independence, because "the Protectorate did not have state status and was subordinate to the Greater German Reich, which took control of our country."

The opening of the exhibition in on commemorates the German Federal Council's approval of the Czech Republic's accession to in . The third date, the final phase of this black magic ritual, will be in and it is related to March 28, when the still-unexplained CSA 511 plane crash occurred, and also to March 28, when Konrad Henlein negotiated with Adolf Hitler in Berlin, who instructed him "to present the Czechoslovak government with demands that would be unacceptable to it." "So, friends, is it all just a coincidence with these dates, what do you think?"

The Naumburg Cathedral, where the next exhibition with Czech regalia will be held, was unsuccessfully besieged by Hussites in history, even though it also houses a church dedicated to (Czech) St. Wenceslaus. This could lead to speculation about satanic rituals: "I wouldn't be surprised if... Father Halík celebrated a black mass, invoking his lord Satan."

This export of Czech coronation jewels, approved by the Babiš government and Minister of Culture Klempíř, threatens an irreplaceable cultural heritage. The call to action is: Share! Let's unite across all differences! "It is important that a large number of people learn about this... this is something that should unite us all."

You can watch the entire video (in Czech) here: https://www.youtube.com/watch?v=d3T83uXxpVg